The gentle west wind hums/ As it blows in from the lake/ Over the fields and swaying palms/ The soul songs of the waves. Memories, people, places, stories, articles, ideas, issues, views, health, sports, photos. Copyright: Author.
Friday, April 11, 2014
Memories of Yercaud
Monday, January 9, 2012
Wednesday, April 28, 2010
Modern Threaters, Salem’s erstwhile dream factory
MK Kamalam, the heroine of the first Malayalam talkie film ‘Balan’ died on the 20th of this month. She was 87. The report about her demise mentioned that ‘Balan’ was produced at Modern Theaters Ltd.,
That reminded me of two things. One was of driving past the studio long ago on the way to visit my children who were studying at Sacred Hearts, Yercaud (SHY). The other was an old photo of my brother-in-law P Thomas Abraham and some of his
The actors, Rod Cameron, Cesar Romero and Marie Windsor who had come down for shooting the movie ‘The Jungle’. It was a joint venture by TR Sundaram, Voltaire Productions Inc., and Robert M. Lippert. The distributors were Lippert Pictures, Inc.
Thomas was kind enough to search out the photo and send it to me. It is reproduced below.
(Click to enlarge. Copyright reserved.)
The story thread of ‘The Jungle’ went something like this: There were several wild animal stampedes in an Indian jungle in which several people in the nearby villages died. The local princess took a great white hunter into the forest to investigate the incidents. They discovered that some prehistoric mammoths caused terror among the wild animals. The great white hunter handles the situation.
‘The Jungle’, directed by William Berke, was released on August 1, 1952. It was a success internationally but did not do too well in
Probably that was the only English movie shot at Modern Theaters Ltd.,
The man of vision who created Modern Theatres was Thiruchengodu Ramalingam Sundaram (TRS). He was born in a family of yarn merchants and textile mill owners, in 1907. He was sent to
Back home TRS worked for some time in the family business and then followed his own dream. He turned to the cinema field and started Angel Films in
Thus Modern Theaters Ltd. was born. That, I think, was
The first film to roll out of the new studio was `Sathi Ahalya' in 1937. The dream run continued for 45 years and ended in 1982 with `Vetri Namathe'. Many of the 117 films (some sources say over 150) produced there were hits. They covered many genres. Mythology was there of course. Other themes included folklore, comedies, classics, mysteries and original stories.
As the name suggests, Modern Theaters Ltd was a Joint Stock Company and was operated on modern business lines by TRS. There was an efficient production schedule covering two or three movies a year and tight budget controls. This resulted in new attractive products being supplied to the market at regular intervals.
TR Sundaram who had an eye for talent operated the studio on the old
Those introduced by TRS include MR Radha, SV Ranga Rao and Anjali Devi. Mention must also be made of the American, Ellis R. Duncan who successfully directed several films made at Modern Theatres. TRS paid all his people well and without delay.
The first South Indian colour film ‘Alibabavam 40 Thirudargalum’ (1955) was made at Modern Theatres. The MG Ramachandran and P Bhanumathi movie was a big hit. In Malayalam also the first colour film ‘Kandam Becha Coat’ (1961) came out of this
TR Sundaram died in 1963.
By then
But tragedy struck the family again. A few years later R. Sundaram also died prematurely. With that activities at Modern Theaters ground to a halt. Later the property changed hands. It is now a prestigious housing area.
I wonder how many people are there in the history of world cinema industry comparable to TR Sundaram. He was a one man institution – studio owner, producer, director, financier, company chief, talent scout, inspirational presence. He is a cinema legend that
Perhaps the present crop of producers who complain so vehemently about high cost of cinema making can possibly learn a thing or two by studying the operational techniques of TR Sundaram.
Also see:
Star wars in Kerala
Malayalam Cinema: Going, going, gone?
Saturday, January 31, 2009
Memories: The boatmen of Olavipe Lake
The first time my wife Annie travelled by a vallom [Launch of a vallom (country boat)] was shortly after our wedding in 1961. She is from Kanjirapally on the foothills of Kerala’s
There was no road to Olavipe those days. To reach home we had to either take a motor boat from
The first 150 meters or so is a canal. Then the expanse of the lake. Our landing is bang opposite to the canal, to the east. It had no landmark visible from the other side. The crossing was easy during daytime. All that the boatman had to do was to set the course straight from the canal.
On moonlit nights the trip across was sheer pleasure. The water would be usually placid. The shimmer of moonlight on the lake surface was simply fascinating.
But on dark nights it was different. And Annie, resigned to the adventure, asked me how the boatman could see where we were going. There was no easy answer to that. Only the large cargo crafts and tiny fishing boats had lamps to mark their location. The passenger vessels went ahead blindly, so to speak. Sometimes the boatman would shout ‘vallom’ to warn traffic from the opposite direction.
During summer when the salinity in the lake was high, there was a friendly factor. Because of the high density of florescent plankton, any disturbance would make the water sparkle at night. One could easily identify moving objects. There was a bonus as well. From the vallom one could watch fishes swim around spreading glitter in their wake. Such a beautiful sight it was.
Steering to our pier in the shroud of darkness was a problem. There would no bearings to set the course. The route being straight across did not help because the tide factor had to be reckoned with.
The boat would stray from the desired path unless appropriate corrections were made to nullify the impact of the flow. There were several boatmen who could do that perfectly in the darkness. I suppose they had some intuition that comes with experience.
Once the road was opened in the early 1970s, the lake crossing became a thing of the past. After that some of the boatmen used to come home for customary presents during festivals or when they wanted some help. Slowly that too stopped. Some of them would have passed on. The others, I suppose, drifted off in search of other means of livelihood.
I do not recall hearing of a boat accident in the
P.S. When we reached home that night Ammachi (Oru Desathinte Amma.) was very angry with me for taking Annie across the lake on that dark night. I had not realized how frightened my wife was on her first vallom ride!
Ends.
The silhouette in the photo by Karthiki (copyright reserved) is Shankunni, our senior valan (fishermen caste). Click to enlarge image.
Saturday, October 27, 2007
Boxing: ‘Tiger’ Nat Terry – a champion and a gentleman
Sheila Abraham, Nat Terry’s only child wrote this touching memoir. She was junior to my wife Annie (Tharakan nee Abraham) in Sacred Heart’s, Yercaud (SHY). Annie & I once called on Mr. Terry when our children were at SHY. It was a pleasure meeting the legendary man.Sheila and her husband Ramsay Abraham stay at Fathima Villa, the house that Nat built. They have two children, Ramsay Jr., and Marise and three grandchildren, Shayna, Joshua and Nathaniel. I am grateful to Sheila for writing this at my request. - A.T.
☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼☼
Nathaniel (Nat) Simon Terry was born on 3rd July 1913 in the small town of
When Nat was only eight, his father passed away. Angelina then shifted to
After studies Nat joined Richardson & Cruddas as a trainee structural engineer. But he shifted his line and enrolled in the Madras Guards A.F. in 1938. He was posted at Fort St. George. Nat married Beryl Eliza Meyer of
Major Willie Rahm who was Nat’s Commanding Officer at MGAF recommended him to Br. Eleazor (Tich), the then Principal of Montfort Anglo Indian Boys’ High School, Yercaud. He was appointed as the Boxing & Physical Instructor and Study Master of Montfort in 1946. When the school started an NCC Wing, Nat was made its First Officer also.
While he was at Montfort, Nat’s boxing career rose to great heights. There was a string of victories over well-known opponents like the Suares brothers, ’Dusty’ Miller, ‘Kithery’ Muthu and Murugesan. Then he scored a historic victory against the ‘unbeatable’ Gunboat Jack. Shortly after that he won the title 'South Indian Boxing Champion' in 1949 - a crown which had not been wrested from him.
However, it was at this match that Nat, to some extent lost his zest for boxing as the other contender for the title, Mr. Arunachalam, lost his life in the ring. Nat always recalled this tournament with much regret. While defending his title for the next few years, he did not try to further his boxing career at the All India level
While all these were happening Nat never wavered in his efforts to meticulously coach his trainees at Montfort. He ensured that the young boxers did the school proud. To name a few of them - Brian Chapman, Paul Wilson, Renee Pears, Blair Williams, George Edwards, David Sundaram, the Tong brothers and P. Joseph Abraham.
Beryl passed away at the age of 56. That was in 1972, the same year that Nat retired from Montfort. Though lonely after his dear wife’s demise, he was blessed with a number of visitors who would call on him and this made up for his loss. Nat was simple in nature but had a strong personality, which wooed many people, young and old, who would spend hours listening to his boxing experiences and his life as a whole.
Nat loved people and he had friends in all walks of life. Music and dancing were his passion. He was a great Tap Dancer and the life of any party or get-together, as he loved to sing and entertain the gathering. He was affectionately known to all as ‘Papa’.
On the 23rd of January 1998 Papa passed away very peacefully at the age of 84 at his beloved Fathima Villa. May the souls of Nat and Beryl rest in peace.Ends.
Photos: Copyright Sheila.Abraham. Click on them for enlarged view.


